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ART 2014

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~ ODILON REDON ~ …

Kategori: Ukategorisert | 0 kommentarer » - Skrevet Thursday 16. April , 2015 kl. 10:30

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~ ODILON REDON ~ …

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A little more – and forget about the summer,
Kite out of hand.
And zhuhnet sheet, and we are no longer children,
And we do not wake up in the morning my mother.

Autumn comes exactly three cycles,
And of course we know in advance,
That everything happens because someone or something so,
Maybe more that a little bit, and it will be.

And focus the vision and feeling,
And you can see again, leaving,
As white light crunch to wash up,
Looking through the windows, wet from the rain.

And this tenderness, silly, funny,
Takes by the throat as the handle,
And never let go.
And the only way can hold.

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And we have no one so he does not love,
As promised it was first.
September, like rings on the wooden house,
And is not the place of the word.

Time skolet all our shell
As in the nut – tread inside.
Do not kiss me on the forehead, lips only,
Escort to the subway.

To the corner, to fence, to the edge –
We now all seats are good.
This eternity through us grows
Promise to live.

We are ridiculous, my aging boy
We still shivering from touching.
You see, autumn, as executor,
In the transition costs …

Elena Kasyan

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I wanted to tell you about a very unusual artist …
This master of dreams and hallucinations. But not such as surrealists, and sensual or something …
But hallucinations leave for later … Still to come …:-)

Today I want to bathe you in colors … In memory of summer …

So, get acquainted:

ODILON REDON …

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French painter, graphic artist, painter, one of the founders of symbolism and “the Society of Independent Artists”

Born in Bordeaux April 20, 1840 in a family of entrepreneurs.
Future artist spent his childhood family estate Peyerbald, located a few miles southwest of Bordeaux. Here he was left in the care of a nurse to eleven years. It is believed that the boy suffered from seizures “epilepsy” and parents deliberately hid from the eyes of his friends.
In 1851, Odilon returned to the family and enrolled in school.
In 1857 Redon tried to enter the Paris School of Fine Arts, but failed the first exam.
From 1855 he studied at Bordeaux from a local artist Stanislaw romance Goren, who taught him the technique of watercolor. Here, three years later, the debut of Redon – at the annual exhibition of the Society of Arts, he showed two of his paintings.

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Around the same time, the older brother of the artist introduces it into the circle of young intellectuals. Here, in 1863, Odilon Redon met with Rudolf dragnet, graverom- “protosimvolistom”, experienced profound impact of his work and decided to become a schedule. In 1864 he was engaged in the Ecole des Beaux Arts in Paris, Jean Leon Gerome. Lithography studied with Henri Fantin-Latour. Thanks to his new comrades Redon met with the poetry of Charles Baudelaire, performing the strong impression on him.

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In 1865-1870 Redon works, mainly coal, then in black and white lithographs, creating large sheets, which are called “black” or “Black”.
From 1867 begins to keep a diary called “self-inflicted” in which he outlined his views on art and creativity. He graduated in 1915.
As painful hypochondriac person Redon long time could not find their place in art, did not believe that could create something worthwhile. In 1868, for example, when a picture of Redon “Roland at Ronsevale” Commission adopted the Paris Salon, the author at the last moment afraid of criticism of the court and took his job.
The turning point in the artist’s life began in 1870. The artist enlisted in the army (was the Franco-Prussian War) and, to the surprise of home and friends, showed himself a brave and persistent warrior. For France, the war ended in humiliating the world, but she gave Redon confidence. But then it did not leave the gloomy vision.

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In March 1874 his father died Redon, and it was a great shock for the artist, although he was never able to get rid of his grudge against him for the “homeless” childhood. However, the death of his father allowed Redon fully devote himself to art. The artist moved to Paris, met with Stephen Mallarme.
1879: Redon decided finally to release an album of his drawings reproduced lithographically. This album is called “In grёze” (“In the world of dreams”), attracted the attention of only a few connoisseurs of art and collectors. In following this cycle followed by others: “Edgar Poe” (1882), “The Roots” (1883), “In honor of Goya” (1885), “The Temptation of St. Anthony” (1888, 1889, 1896), “Gustave Flaubert” (1889), “Flowers of Evil” (1890), “Apocalypse” (1899). In 1881 Redon first exhibited in the room “Wee modern” all their “black” paintings. In 1886 participates in the eighth and last Impressionist exhibition. All the works of these cycles are inhabited by strange creatures, full of bizarre images.

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In 1880, the artist married Camilla Falt (1852-1923), Creole from the French colony of Reunion. This marriage was extremely happy, though the couple had to endure great sorrow – at six months of age died of their firstborn. The artist was so depressed that some time could not work. In 1889 his second son was born. His birth helped Redon cure boredom.
Since 1890 Redon is increasingly turning to oil painting, pastels, experimenting with color. In these works he tries to convey the inner world of man. For this phase of work is characterized by multi-color color scheme and different themes: butterflies, flowers, women against the bright landscape. In 1899 Durand-Ruel organized an exhibition of young artists called “In honor of Redon”, which presented the work with pastels. However, after 1900, he still prefers noticeable colors, April 2, 1906, he wrote to his friend Bonzhe: “In an oily texture, there is something magical: it dominates you, hold the easel, every day more and more painful, all the stronger.”

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Redon also fond of decorative scenes, he painted the dining room in the castle Domes in Burgundy, the bedroom of Mrs. Chausson in Paris, and in 1910-1911 by order of Gustave Fayet – library abbatsstva Fontfroide Aude.
Income Redon, meanwhile, could hardly be called an enviable. He had to sell the estate in Peyerbald, where he spent his childhood. It has taken almost for nothing, and the proceeds of a sum could not cover all the debts of the artist. Looking for a way out of debt, Redon started writing floral still lifes, which were popular and sold well.

In 1906, the Galerie Durand-Ruel was an exhibition of works by Redon in the same year – in the Salon d’Automne. In 1913, the artist’s works were exhibited at the International Exhibition in New York.

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“I am happy with my life – wrote a master in the last decade of his life – and quietly go to meet fate.”

Artist died July 6, 1916, in Paris, leaving a large collection of mysterious graphic sheets and oil paintings. Small key to their understanding Odilon Redon hid in his diary, he wrote:

“Engaged in painting means to create beautiful substance, resorting to a special, inner feeling. In the same way nature creates a diamond, gold, sapphire … This gift is innate sensuality. It can not buy. ”

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I love all who are near …

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